ACCLAIM FOR OUR STUDENTS PAST AND PRESENT
After taking one Level I workshop, Nitza Agam published her story “Scent of Jasmine” in the summer 2003 issue of Jewish Frontier.
Jaclyn Alexander’s story “The Tunnel” was published in The Vestal Review. Jaclyn is a former Level I student.
Rowyda Amin’s chapbook Desert Sunflowers was published by flipped eye publishing limited. Rowyda is a former Advanced Poetry student.
Sonni Aun’s story “The Vegetable Seller,” published in The Bellevue Literary Review in 2016, was nominated for a Pushcart. Sonni is a Master Class student.
Lisa Badner has three poems in Rattle #55, a special civil service poet tribute issue (March 2017), as well as three poems forthcoming in New Ohio Review. Her poem “Shrimps” appeared in PANK, “Watching Adoption Video with My 8 Year Old” in Mom Egg Review, and “A Sunday Walk in Autumn” in Vine Leaves Literary Journal. Her poems have also appeared in Poetica Magazine, Blip, TriQuarterly, Fourteen Hills, The Cape Rock and Mudlark. Lisa is a student in the Master Class and runs the Tutorial program.
Sylvie Bertrand had a flurry of story publications in 2018. “Tell Me If It Hurts” was published in Chaleur Magazine and also won an Honorable Mention in the Glimmer Train Family Matters Contest. “Barely Unscathed,” one of two poems in Silver Needle Press, was named the winner of the Press’s Poem of the Week contest. “The Garbage Strike,” a finalist for the Glimmer Train Very Short Story Contest, will appear in Peregrine Journal, fall 2018. Her work has also been published in Epiphany, Cleaver Magazine and Penultimate Peanut Magazine, and has received a Pushcart special mention. Sylvie teaches New York Level I and online Memoir.
Duncan Bock’s story “The Santa Monica No. 2” appeared in the Summer 2008 issue of Epiphany. Duncan is a former student in the Master Class.
Julianne Bond’s poem “Why I Flyfish” will appear in Sport Literate in summer 2017. Julianne is a student in the Master Class.
Gerard Cabrera’s short story “Ioannes est nomen meus” was awarded Honorable Mention in the May 2011 Glimmer Train Short Story Contest for New Writers. Gerard is a former student.
Ian Caskey, a student in the Novel Workshop, has a story in Bomb Magazine, December 2016.
Doris Cheng’s story “Parcel Post” was accepted for publication in The Southampton Review, and her story “Hellion” will appear in the Summer 2017 edition of Calyx Journal. Doris is a Master Class student.
Rebecca Cooney’s memoir “Blissville” is being published in the online journal The WG News. Rebecca is a Workshop teacher.
Cameron Coursey’s story “Pinheads” appeared in the Winter 2009 edition of Our Stories, an online literary journal, and was a runner-up for the 2009 Richard Bausch Short Story Prize. Cameron is a Level II student.
Jennafer D’Alvia’s story “Then One Day You Give a Guy Your Legs” appeared in the November 2015 issue of 34th Parallel Magazine. Jennafer is a teacher.
Isabelle Deconinck’s story “The Other” appeared in the Summer 2008 issue of Epiphany, and was nominated for a Pushcart Prize. Her story “The Kiss” appeared in the Summer 2007 issue of the online literary magazine KGBBarLit. She was awarded a three-month Residence Grant from the Helene Wurlitzer Foundation of New Mexico. Isabelle is a student in the Master Class and organizer of the Writers Studio reading series.
Suzanne Dottino’s story “The Hopefuls” was published in 2018 in JMWW. It began as an exercise in Level IV.
Elizabeth England was shortlisted for the 2016 American Fiction Award by New Rivers Press for her story “Bruised People,” which appeared in American Fiction Volume 16 (Fall 2017). Her story “Getting to Know William Langley” was a finalist for the Faulkner Wisdom Competition in 2017. Her story “First Girl” won The Journal’s Short Story Competition, and appeared in the Winter 2007 issue. She was the 2001 Grand Prize Winner for Fiction awarded by Inkwell Magazine. Her stories have also appeared in North Atlantic Review and Connecticut Review. Elizabeth was a longtime student in the Master Class.
In 2003, Roberto Espinoza, a Level I student, won an ABC Talent Development Grant, a stepping stone to developing a television series for the network.
Gina Forberg’s chapbook Leaving Normal received Honorable Mention from Anabiosis Press and will be published in 2016 by Finishing Line Press. Her poem “X and Y” appears in the online issue (#13) of The Cactus Heart Press. Her poem “Smoking” appeared in Damselfly Press online. Her poems “Last Night in Own Bed” and “Swinging for the Fences” will appear The Barefoot Journal. Her poem “Picking Out Wigs” is being published by The Cancer Poetry Project. She received a fellowship from Fairfield University for their Summer Connecticut Writers’ Project (2011). Her poem “Song” appeared in the winter 2010-2011 online Language and Migration issue of The Platte Valley Review. Her poems “The Junior Leaguers” and “The Stars” appeared on the secondary short list for the Margaret Reid Poetry Prize for Traditional Verse. Her poems “The Turn” and “The Olympics as a Metaphor for Sex” appeared in The Mascara Review, an online journal. “Starburst” appeared in the Squaw Valley Review. She was accepted into the Summer 2008 Squaw Valley Community of Writers Workshop. Gina is a former student in the Master Class.
Stephanie Gangi’s poem “Four” was shortlisted for the Hippocrates 2014 Poetry Award. Her novel The Next was named a finalist in the Writers@Work Fellowship Competition in February 2014. Stephanie is a Level III student.
James Gibbs’s story “The Man Who Skipped Sixes” appeared in the May 2015 issue of Storyscape Journal. James is a Master Class student.
Sherine Gilmour’s poems have appeared in Isotope, Many Mountains Moving, Lumina, So to Speak, JMWW and 13magazine. She was given a financial award to attend the Key West Literary Seminar in January 2012. Her poems “Polish Poem” and “I Love You All Day Long,” which appeared in the Spring 2010 issue of Green Mountains Review, were both nominated for a 2012 Pushcart Prize. Her poem “College Choir, Midnight Before the Assassination” received an Honorable Mention in the Paterson Literary Review in 2004. Sherine is a teacher.
Teresa Giordano’s story “Reina” placed in a literary contest with Psychopomp Magazine and was published in a chapbook called Nostos. Teresa is a former Master Class student.
Katherine Gleason’s story “Fred Astaire Refuses” appeared in the April 2008 issue of Mississippi Review Online. “Chestnuts” appeared in the winter 2010 issue of Alimentum: The Journal of Food. “Sweet Treat” won first prize in the 2007 River Styx Schlafly Beer Microfiction Contest. “Flight” was published in the 2008 Southeast Review and was a finalist in that publication’s World’s Best Short Story Contest. “Tvorog” won Honorable Mention in Glimmer Train’s August 2008 Very Short Fiction Award. Her story “A Perfect Fit” appeared in the anthology The Erotic Treasury. Katherine is a former Level IV student.
Jean Godfrey-June, who was a longtime student, published her memoir Free Gift with Purchase/My Improbable Career in Magazines and Makeup (Random House, 2006). Jean is beauty editor of Goop and former beauty editor of Lucky.
Michael Grabell’s first poetry chapbook, Macho Man, won the 2013 Finishing Line Press Chapbook Prize. His poem “Before Committing” was chosen by Stephen Dunn for second place in the River Styx International Poetry Contest and appeared in the Fall 2009 issue. Michael is an Advanced Poetry student.
Edmund Granski’s poem “The Cancer Patient’s Husband” appeared in issue 40 of the Paterson Literary Review. Ed is a former Advanced Poetry student.
Nancy Green’s story “Patrimony” appeared in the fall 2013 issue of The Bellevue Literary Review. Nancy is a former Master Class student.
Patrick Cabello Hansel has published 63 poems in 37 different journals and anthologies, as well as a novella and several short stories. Patrick is a former Master Class student.
Lullwater Review, the literary journal of Emory University, published “After the Deluge,” a short story by Jack Harari in 2006. Jack wrote the story while a student in the Master Class.
Texas Poetry Review published two works by April Heck written while she was a Master Class student.
Michele Herman’s stories, essays and poems have appeared in Diagram, The New York Times, The Sun, Lilith, ACM, Pearl, The Worcester Review, Columbia: A Journal of Literature & Art, Outside In Literary & Travel Magazine, Literary Mama and other publications. Her first chapbook of poems and prose poems, Victory Boulevard, was published in 2018 by Finishing Line Press. She won first place for Best Column in the 2018 New York Press Association Better Newspaper contest, was a finalist for the Orlando Prize for Short Fiction (2010), a finalist for the Robert and Adele Schiff Award in short fiction (2015), a two-time winner of the Willis Barnstone Translation Prize (2015 and 2017), a finalist for the Bass River Press Poetry Competition (2016), and a semifinalist for the Raymond Carver Short Fiction Prize (2016). Her personal essays appear regularly in the Greenwich Village weekly paper The Villager. She often performs her own work in theatrical and cabaret settings around New York City. An audio interview with Michele, in which she talks about writing and teaching, is available at Bookends Review. Michele is an Online Level I, Online Memoir, and Tutorial teacher.
Karen Hildebrand’s play “The Old In and Out,” based on her poetry, was performed in Manhattan in June 2013. Her poems and essays have appeared in G.W. Review, Fourth River, Stand, The Journal, Meridian Anthology of Contemporary Poetry (Vol. VI), The Distillery, Southern Humanities Review, The Cape Rock, Gathering of the Tribes, Fourteen Hills, Slipstream, South Carolina Review, Center: A Journal of the Literary Arts, River Oak Review, Pennsylvania English, Natural Bridges, Willard & Maple, Distillery, Whiskey Island Magazine and The Kitchen Sink. Her manuscript Need was shortlisted for the 2009 Center for Book Arts Poetry Chapbook Competition judged by Kim Addonizio and Sharon Dolin.
Joel Hinman’s story “Nobody Listens” appeared in North Atlantic Review. His story “The Father Was Created by the Child” appeared in The Brooklyn Review. Joel is an NYC and Online level II teacher.
Sakinah Hofler’s story “The Prophet, the Fixer” won the 2018 Sherwood Anderson Fiction Award. Sakinah worked with Isaac Kirkman (Tucson) along with several poets and visual artists to create a work called 8, published by Counterexample Poetics.
Lorien House’s flash fiction, essays and poems have appeared in Foliate Oak, The Write Place at The Write Time, Pirene’s Fountain, Ascent Aspirations Magazine and Chantarelle’s Notebook. Lorien is an Advanced Poetry student.
Laura Judge’s poem “Golden Arches” is forthcoming in Barrow Street in 2016. Laura is a former Level II student.
Jay Kidd’s poems have appeared or are forthcoming in Appalachian Heritage Magazine, Crosswinds Poetry Journal, The Florida Review, Mason’s Road, Burningword Literary Journal and Chelsea Station. His poem “Autobiography” was a Shortlist Poetry Prize winner in Fish Publishing’s 2016 poetry competition. His poem “I watch him, my husband” was a winner of Fish Publishing’s Shortlist Poetry Prize 2014. This poem was also named winner of Atlanta Review’s Poetry 2015 International Poetry Competition. His poem “Runaway Dorothy Was the Name of the Band” won Ruminate Magazine’s McCabe Prize, was published in their Fall 2013 issue, and nominated for a Pushcart Prize. His poem “Lost Time (1997)” appeared in the Spring 2012 issue of Bellevue Literary Review and was a finalist for their annual poetry prize. The Bellevue Literary Review nominated this poem for a 2013 Pushcart Prize and for an anthology called Best New Poets of 2012. Another poem, “Autobiography,” was published in the same journal and was named a finalist for their annual poetry prize in 2016. Jay is a Master Class student.
Liz Kingsley’s poems, stories and essays have appeared New Ohio Review, The McNeese Review, The Round, the anthology Blended: Writers on the Stepfamily Experience, William and Mary Review and New Jersey Family Magazine. Her poem “Your Knuckles” is in the Spring 2018 issue of Euphony. She was nominated for a 2013 Pushcart Prize. Liz is a Master Class student and administrative director of The Writers Studio.
Madeline Klosterman, a former student, is writing a New York-based column called “American Girl” for the online magazine “The American,” which is based in Rome, Italy.
Nina H. Kotoyan’s story “Is This the Promised End” appeared in Thrice Fiction, issue #9. Nina is a former Level I student.
Kathleen Kraft’s chapbook Fairview Road is forthcoming from Finishing Line Press. Her poems have appeared or are forthcoming in Gargoyle, Stickman Review, YogaCity NYC, Anderbo.com, Willows Wept Review, Prose-Poems.com, Five Points, Fox Cry Review, REAL: Regarding Arts and Letters, Girls Write Now 2013 New Worlds Anthology, Drash: A Northwest Mosaic, The Madison Review, Pirene’s Fountain, The Prose Poem Project, Mason’s Road and Foundling Review. Her prose appears in The Satirist. Her poem “Flying After Your Death” was nominated for the Sundress Best of Net Anthology 2010. Her poem “Fairview Road” was published in Willows Wept Review and was nominated for the 2012 Pushcart Prize. She was one of 50 finalists in fiction and poetry chosen for a Summer Literary Seminars fellowship (2011). Kathleen is a student in the Advanced Poetry Class.
Peter Krass has two poems at The American Journal of Poetry (2017). His poems have also appeared in Atlantic Review, New Verse News and The Commonline Journal. His poem “All Dressed in Green,” published in the Summer 2010 issue of Rattle, was awarded a Special Mention in the 2012 Pushcart Prize anthology. Peter teaches Level II and Online Level II.
The Pennsylvania Council for the Arts awarded a $5,000 writing grant to Barbara Kriegsman while she was a student in the Master Class. Her story “Without an Echo” won the 2000 Fiction Award from citypaper.
Evelyn Lampart’s story “Visions” is forthcoming in Quotable. Her story “Fuller Brush” appears in Poetica’s January 2016 eEdition. Her story “Next Year” is forthcoming in an anthology being published by Rozlyn Press. Her stories have appeared in NOUS, POETICA, Dirty Chai and r.kv.r.y. Evelyn is a Level III student.
Jeff Lawenda’s short stories “Honor Thy Father” and “Lunch with Louie” appeared in Turk’s Head Review.
Iris Lee had three poems in the March 2016 issue of OccuPoetry. Her haibun “Asian Wing at the Met” appeared in the December 2014 issue of Haibun Today. Iris is an Advanced Poetry student.
In 2018 Dave Lemke published two ebooks, available on Kindle: Intrusion and Dave’s, You Must Be This Short to Enter!
“The Prop,” a short story by Jânice Leotti, was published in the October 2000 issue of Peregrine while she was a student in the Master Class.
Anna Lindwasser’s poem “Cityscape” appeared in The Hopper Review in 2015. Anna is a former Level II student.
Kate Lister Campbell’s story “Free Swim” appeared in the Summer 2014 issue of Baltimore Review. Kate is a Level IV student.
Anna Lindwasser’s poem “Cityscape” appeared in The Hopper Review in 2015. Anna is a former Level II student.
Andree Lockwood’s story “Anyone Crazier Than You” appeared in Epiphany’s Spring/Summer 2011 issue and was nominated for a Pushcart Prize. Andree is a former Master Class student and a Tutorial teacher.
Laurie Ludmer’s poem “An Ordinary Orderly” was published in the Summer 2009 issue of Rattle. Laurie is an Advanced Poetry student.
William Lung has twice received the Stark Short Fiction Prize awarded by the City College of New York. An excerpt of his novel-in-progress False Idols appeared in Gaslight. William is a former Level I student.
Andrea Marcusa’s fiction and essays have appeared in River Styx, Baltimore Review, Third Coast Review’s Steam Ticket, Epiphany and Ontario Review, among others. Her flash fiction piece “Freedom” was selected as one of Citron Review’s 2018 Best Microfiction nominations. She was a finalist in the Third Coast Fiction contest, won an honorable mention in the Glimmer Train Family Matters contest, and had an essay accepted by Nashwaak Review, a flash fiction piece accepted by Bird’s Thurmb, and a flash nonfiction piece accepted by the Eastern Iowa Review. Her lyrical essay “Boulevard Mohamed Bouazizi” was published the Summer 2017 issue of Eastern Iowa Review and nominated for a Pushcart Prize. She was also interviewed for the website. “Of Sugar, Butter, Flour and Chocolate” was a finalist in New Letters’ Prize for the Essay. Her short story “No Details of the Death Have Been Released” was named a semifinalist for Ruminate Magazine’s Short Story Prize. Andrea is a Master Class student and coordinator of the reading series.
Deb McAlister had four poems appear in a recent issue of the online magazine flingquarterly. Three of the poems were written while she was a Writers Studio student.
Eugene Melino’s poems have appeared in Contemporary Ghazals, Blue Lake Review and Burningword. Eugene is a former student in the Master Class.
Juicy Mangos: Erotica Collection (Atria Books, 2007) was edited by Michelle Herrera Mulligan. Her own story “Juan and Adela,” based on an exercise she did in Level II, is included in the book. Michelle and Sofia Quintero, another contributor to Juicy Mangos, appeared on the Brian Lehrer show on WNYC on August 14, 2007.
Rachael Nevins’s essay “On Elena Ferrante and My Own Frantumaglia” appeared in Hazlitt in fall 2016. Her poem “4w6d” appeared in the Fall/Winter 2015 issue of Kindred Magazine. Her poems have also been published in Treehouse, Literary Mama and Rattle. Rachael is an Online Level I teacher and Master Class student.
Anne Pitkin’s manuscript Accidental Music was a finalist for the 2004 National Poetry Series. The Winter 2005 Alaska Quarterly Review published her poem “On the Use of the Decorative” and the New Orleans Review featured her first villanelle, “A Hot Wind Blows.” Both poems started as Tutorial exercises.
Whitney Porter’s stories have appeared in Metazen, The Battered Suitcase and Ping Pong Literary Magazine. Whitney teaches Online Level I.
“A Walk to the River” by Richard Poveromo was published in Boston Literary Magazine. Richard started this story as an exercise in Level II.
Laura Prah’s short story “A Short Cut” appeared in 2002 in Kalliope: A Journal of Women’s Literature & Art when she was a Master Class student.
Steven Radwell, a former student in the Master Class, published his story “For Mother: Dead at 101” in Caprice.
Misa Ragsly’s story “The Clash” appeared in the winter 2012 issue of the literary e-zine The Rag. Misa is a former Level I student.
Kim Reed produced and edited a film called “Paul Goodman Changed My Life,” which opened at New York City’s Film Forum in 2011. Kim is a former Master Class student.
Melissa Rivero was named a winner of the 2015 Center for Fiction’s Emerging Writer Fellowship. She is a former Level I student.
Carlos Rountree was accepted into the MFA program at Hunter College after working on his manuscript in Level II.
Our Stories, an online literary journal, published Elliot Satsky’s story “Piece of My Heart” in 2008. “Piece of My Heart” also appeared in the 2009 Best of Our Stories annual print edition. “When Glaciers Melt” was published in The Blue Moon Review and anthologized in Taj Mahal Review. Elliot is a Master Class student.
Charlotte Savidge, a student in the Advanced Poetry Class, was chosen by Mark Strand as one of 50 winners for Best New Poets 2008. Her winning poem is entitled “Mattress Shopping.” Her poem “The Type of Girl I Am” was published in The New York Quarterly.
“A Child’s Garden of Poetry” won a 2011 Primetime Emmy Award for Outstanding Children’s Program. The program is a collaboration between The Poetry Foundation and director-producer Amy Schatz, a former NYC Master Class student. Amy is the recipient of five Emmys, including one for “Through the Eyes of a Child: September 11, 2001,” a film she wrote, directed and produced for HBO.
Lynn Schmeidler’s chapbook Curiouser and Curiouser won the 2013 Grayson Books Chapbook Contest and was published. Her stories and nonfiction have appeared in River City, The Georgia Review, The Southeast Review, Chelsea and Brevity: A Journal of Concise Literary Nonfiction. The Mid-American Review published, as an Editor’s Choice, her short-short “An Instinct for Survival.” Her story “Sweet Hairy” was selected as a finalist in The Southeast Review’s Short Short Story Contest. Lynn is a former NYC Master Class student.
Tamar Schreibman’s story “Forgive Me, Father” won First Place in the 2016 American Fiction Contest and will be included in the anthology American Fiction in October 2017 by New Rivers Press. Her story “Expecting” was a finalist in the 2016 Salamander Fiction Contest and a semifinalist in the 2015 Raymond Carver Short Story Contest. Her story “Beards & Other Things I Detest” was a finalist in the Glimmer Train May 2014 Short Story Award for New Writers and again in the Glimmer Train February 2015 New Writer Award, and her story “The Petition” was a finalist in the Glimmer Train Very Short Fiction Award in 2007. Tamar is a former Master Class student.
Christopher Shade won the Writers@Work fellowship competition with his short story “Messages from a Storm,” which appeared in the Fall 2016 issue of Quarterly West. He was the 2016 Fiction Fellow at the Writers@Work conference in Utah. His story “Astronauts” appeared in Steel Toe Review. Christopher is a Master Class student.
Jeremy Shatan’s piece “A High-Functioning Bereaved Parent” appeared in the The New York Times column Motherlode: Adventures in Parenting. Jeremy is a former Master Class student.
Dog is My Co-Pilot: Great Writers on the World’s Oldest Friendship (Crown Publishing Group, 2003) features an essay by Elena Sigman, a longtime student, entitled “The Existence of Dog.” The piece was originally published in Salon.com in 2002, and excerpts were read on National Public Radio in 2003 as part of the book launch.
Malini Singh McDonald’s poem “Catamarans” appeared in the inaugural issue of Newtown Literary. Malini is a former Level I student.
Trellan Smith’s story “A Leg to Stand On” was published in the April 2013 issue of Quiddity, and nominated for a 2014 Pushcart Prize. This story received Notable Mention in Glimmer Train’s January 2010 Very Short Fiction contest. Trellan is a former Master Class student.
April Sopkin’s stories and flash fiction works have appeared in Scissors and Spackle, Paper Nautilus and The Battered Suitcase. She was accepted to attend the Norman Mailer Center in Provincetown. She was also accepted for a month-long residency at the Jentel Artist Residency Program in Wyoming. April is a Level III student.
After taking a Level I workshop, Michaela Spampinato was accepted into the creative writing MFA program at Mexico State University, where she will work on Puerto del Sol, their literary magazine.
Andrea Stella was accepted into the MFA program at City College. Andrea is a former Level I student.
Mary Sternbach published a story called “Matrioshka” in Paper Street. It was written while she was a Level III student.
Iris Lee Stoler had two haibun published in Haibun Today: A Haibun and Tanka Prose Journal. Her haibun “A Meeting Out of Time” appeared in the December 2015 issue of Haibun Today. Her hay(na)ku “A Survey” was posted in the blog of the form’s creator, Eileen Tabios, entitled Eileen Verbs Books. Her haibun “Asian Wing at the Met” appeared in the December 2014 issue of Haibun Today. Iris is a Master Class student.
Samantha Storey’s piece “A Letter to Nick UT” was published as an open letter in The Lascaux Review in 2013, which nominated it for inclusion in the Best-of-the-Net anthology. Her story “Voices Under Water” will run in Colorado Review in summer 2017. Samantha is a former Master Class student.
Two poems, “On the Apollonian Clockwork” and “Morning Ritual,” by Charu Suri appeared in Texas Review while Charu was a student in the Advanced Poetry Class.
Alison Carb Sussman’s poem “Anhedonia” was a finalist for the 49th Parallel Award for Poetry in Bellingham Review’s 2016 Literary Contest. Her poem “Rebel Rider” appears in issue 25 of Chicago Quarterly Review; “26th Anniversary” appeared in Re:AL Regarding Arts & Letters (Fall/Winter 2016); and “Maddy” and “Block Island 1962” were published in Third Wednesday (Spring 2017). Other recent poems have been nominated for a 2015 Pushcart Prize, and she won the Abroad Writers’ Conference/Finishing Line Press Authors Poetry Contest. Her poem “Hockey Game” appeared in the Fall 2016 issue of The Atlanta Review. Her poems have appeared or are forthcoming in Southword, Gargoyle, The New York Times, Lullwater Review, Burningword, damselfly press, Drash: Northwest Mosaic, Cutthroat: A Journal of the Arts, Sow’s Ear Poetry Review, Reform Jewish Quarterly, Rattle and Willows Wept Review. Her poem “They Were Lucky to Get Out Alive” was part of a temporary art installation exhibited at The Battery’s “Gardens of Remembrance” in 2011. Her chapbook “On the Edge” was a Semifinalist in Finishing Line Press’s New Women’s Voices Chapbook Competition and was published in 2013. She was a featured guest on Planet Poet, part of The Writer’s Voice on WIOX 91.3 in Roxbury, NY, on February 23, 2016. Alison is an Advanced Poetry student.
Sean Sutherland received Honorable Mention in The White Pine Writing Contest, sponsored by The Maine Review, which published his poem “Four Deckhands” in Spring 2015. His poems have also appeared in Lime Hawk, Gravel, Blast Furnace, Prick of the Spindle and The Meadow. Sean is a Master Class student.
Robin Sweet’s first publication was the first poem she wrote in the Advanced Poetry Class. “Summers on Pawley’s Island” appeared in the Winter 2005 issue of Blind Man’s Rainbow.
Benjamin Swire, a student in the Craft Class who took workshops in Levels I-III, had his story “Walter Cronkite with Hospital Corners” published in the Fall 2003 issue of the South Carolina Review. The Winter 2003 issue of River City featured his story “Al Capone Taught My Grandma to Swim.” “Secrets of Radioactive Glass” was published in Pangolin Papers.
Marc Tretin had three poems accepted for publication by The New York Quarterly: “Pink Mattress,” “To Her Sister” and “In Response to Dover Beach.” Marc is an Advanced Poetry student.
Roger Turnau, a former student in the Master Class, became a teaching assistant in the creative writing MFA program at Florida State University in 2005.
Karen Waddell’s blog, “Kitchen In Surgency,” was one of six pieces nominated by Saveur.com out of 40,000 entries for Best Single Piece of Culinary Writing as part of their Third Annual Best Food Blog Awards for 2012. Karen is a former Level II student.
Iromie Weeramantry’s stories have appeared in The Hamilton Stone Review, Green Hills Literary Lantern, The Saint Ann’s Review and The Alembic. Iromie is a former Master Class student.
“Mother” and “Of the Lamp” are two poems by Sheila Welch that appeared in the 2007 issue of Skidrow Penthouse. Sheila was a longtime NYC and Online teacher.
Cynthia Weiner, assistant director of The Writers Studio as well as a writer in the Master Class and NYC and Online teacher, won a 2005 Pushcart for her story “Boyfriends,” which was published earlier in Ploughshares. Her story “Aftertaste” appeared in The Sun in Summer 2009 and was awarded Special Mention in the Pushcart 2011 anthology. She has also had stories published in The Sonora Review and Open City.
Abigail Wender’s poems have appeared in The Massachusetts Review, Fine Madness, Faultline and The Madison Review. Abigail is on the board of directors of The Kenyon Review. Abby was a longtime NYC and tutorial teacher.
Ellery Queen’s Mystery Magazine will publish “Papercuts,” a poem by Lisa Atkinson.
Jo Ann Baldinger’s poems have appeared in Monarch Review, WhiteWhale, Burningwood, Verdad and Cirque. Jo Ann is an Advanced Poetry student.
Jordan Blair’s story “Pathfinder” will appear in the online publication Hoot. Jordan is a Master Class student.
Michelle Boland’s poem “Synopsis” was published in the Spring 2009 issue of California Quarterly, the journal’s 35th anniversary edition. Michelle is a student in Level II.
Mary Brady’s poem “After Stroke” was accepted for publication by The Moth (2018). Mary was a Level I student.
Deirdre Briggs had two poems in the January 2012 issue of Lingerpost.org: “The Night Table” and “Dark Dress.” Deirdre is a student in the Advanced Poetry class.
Cara Bradshaw had an essay selected for inclusion in Elizabeth Gilbert’s anthology Eat Pray Love Made Me Do It: Life Journeys Inspired by the Bestselling Memoir, published in spring 2016. Cara is a Level III student.
Mary Clemens’s story “The Call” appeared in the summer 2015 issue of New World Writing. Mary is a former Level II student.
West View published “Ode to the Art of List-Making,” a poem by Olivia Davis, an Australian student.
HS Derkin’s story “The Stoic” was a winner in Delizon’s 2013-2014 Short Story contest. He is a Level IV student.
Scott Derkin’s story “Proper Preparation” won the Delizon International Short Fiction Contest when he was a Level II student.
Pamela Lindsey Dreizen, under the pen name J.J. Roth, published the story “All of the Cuddles with None of the Pain” in PodCastle: The Fantasy Fiction Podcast (2017). Both text and audio are available. Her story “Totem Animals” appeared in Prick of the Spindle in October 2013. Her story “A More Forgiving Light” appeared in the fall 2012 issue of New Plains Review and was a finalist for The Southwest Review’s David Nathan Meyerson Prize for Fiction, a semifinalist for Nimrod’s Katherine Anne Porter Prize for Fiction and received Honorable Mention in the Glimmer Train Short Story Award for New Writers competition. Pamela is a Master Class student.
Seif Eldeine‘s poem “No One” appeared in the summer 2017 issue of The Massachusetts Review along with a q&a with him. The poem was also picked up by Poetry Daily. Seif is a former Online Intermediate Poetry student.
Jim Ellis has a contract with Creativia, a new publishing venture that makes books available in various formats. So far he has published four titles: The Music Room, One Summer, The Last Hundred and Westburn Blues. Jim has been an Online and Tutorial student.
Kim Farrar’s poem “Why It’s Hard to Write About My Brother,” published in New Ohio Review, was nominated for a 2016 Pushcart Prize. She has had other recent publications in Alaska Quarterly Review, Chicago Quarterly Review, Rhino and Salamander. Finishing Line Press published her second chapbook, The Brief Clear, in 2014. She was nominated for Pushcart Prizes in 2012 and 2015, and received the 2010 Allen Ginsberg award. She is a longtime student in the Advanced Poetry Workshop.
Ines Fatzinger’s poems and flash fiction have appeared in Carve Magazine, Haiku Journal, Flash Fiction World, Hidden Animals 0.5: Would-Be Electric Literary Magazine and Postcard Shorts.
Marianne Gambaro has a poem online at Front Porch (fall 2017) and one on the way at Mudfish. The Mudfish poem, “A Mongrel’s Tale,” began life as a Level I assignment. Her chapbook Do NOT Stop for Hitchhikers was published by Finishing Line Press in 2018. Marianne is an Advanced Poetry student.
Anne Garner’s poem “Frenchman’s Reef” appeared in Woman Around Town in August 2014. Anne is a Level I student.
Patrick Gibson’s story “A Different Direction” won First Place for flash fiction at the Rochester Writer’s Spring Conference at Oakland University in Michigan. Patrick is a Level IV student.
Mark Gozonsky’s story “The Warmth of Vinyl” was published in Corium Magazine and featured on FictionDaily.com. Mark is a former student.
Charles Grosel’s poems and stories have appeared in Red Cedar Review, Western Humanities Review, Poet’s Lore and Slate.
Kathi Hansen’s flash fiction pieces and stories have appeared in Halfway Down the Stairs, The Rusty Nail, Literary Mama, Foundling Review, Per Contra, The Gettysburg Review, The Rusty Nail and Breadline Press’s anthology Mad Road. Her story “What You Make of It” was awarded Honorable Mention in Glimmer Train’s Family Matters contest. Kathi is a Master Class student.
Linnea Harper’s poems and flash fiction have appeared in Pyrokinection, Napalm and Novacain, Pound of Flash and Calyx. Linnea is a former Level II student.
Valarie Hastings has two publications forthcoming in 2019: “Searching for Dandelion Greens,” a finalist in the Knightville Poetry Contest, will appear in New Guard, and “Scripps Pier, 1965 (Fiat Luxe, Ansel Adams),” a finalist in the Steve Kowit Poetry Prize, will appear in San Diego Poetry Annual. Valarie is an Advanced Poetry student.
Alison Higby’s story “The Piano” is forthcoming online in The Rusty Nail. Alison is a Master Class student.
Barry Hill’s story “On Good Terms” appeared in the January/February 2015 issue of Treading Water (Down in the Dirt Magazine). Barry is a Master Class student.
Gillian Lynn Katz’s poems have appeared in Epiphany, Let the Poets Speak and The Westchester Review. Her chapbook “Kaleidoscope” was published by Finishing Line Press in 2012. Gillian was awarded second place in the 41st Annual Greenburgh Poetry Competition.
Priscilla Kavanaugh wrote, directed and produced an award-winning comedic web series called “Wing Women.” Priscilla is a former Online and NYC student.
Jennifer Kearns’s chapbook The Hungry Gap is being published as part of a Quartet Series book entitled A Good Wall, by Toadlily Press. Jennifer is an Intermediate Poetry student.
Robert Kendrick’s poems have appeared in Kestrel, San Pedro Review and The Lindenwood Review. His poem “The Names of Speed,” which originally appeared in Kestrel, was nominated for a 2015 Pushcart Prize. Robert is a former Intermediate Poetry student.
Susan Kim Campbell’s story “Jump” was published in the Mississippi Review’s 2009 Summer Fiction Issue. Susan won fellowships to the Millay Colony for the Arts in 2009 and the Helene Wurlitzer Foundation of New Mexico in 2010. Susan is a former Level II student.
Nadja Krylov’s poem, “The Cranes Are Flying,” appeared in Rat’s Ass Review (Fall/Winter 2016).
Gail Labovitz’s piece “Voting Booth,” begun in Lisa Bellamy’s Maintaining Your Creative Spirit class, was accepted for publication in Shantih Journal in 2018. Her story “Lifeblood” won First Place in Women in Judaism: A Multidisciplinary Journal’s First Annual Writing Competition 2010 and was second runner-up in Moment Magazine’s 2003 contest for short fiction with Jewish themes. Her story “Acknowledgements” won First Prize in Lilith’s 2010 fiction contest. Gail is a former Tutorial and Master Class student.
Andrea Levinger has a short story included in an anthology called Dear Journal, You’re Freaking Me Out! published by the Children’s Media Association. Andrea is a Level IV student.
Dennis Lewis, a poet in the Online Over-50 workshop, won an Ontario Arts Council Grant, Literary Creation for Publication. The program supports Ontario-based literary artists with their living expenses while they complete new works for book-length publication or for public performance, and literary performers who wish to record their own repertoire.
Chris Lowe has had two flash fiction pieces published online. In 2011 “Car Talk” appeared in Prime Number Magazine and “Kevin the Ant” appeared in The Molotov Cocktail. Chris is a former Level III student.
Jem Macy’s essay “Love, Italian Style” appeared in the February 2016 issue of Vogue. Jem is a former Level III student.
Kimberly Malinowski’s chapbook Death: A Love Story was published by Flutter Press (2018). Her work has appeared in Element(ary) My Dear; Enchanted Conversation: A Fairy Tale Magazine; Calliope; Three Drops from a Cauldron; War, Literature, and the Arts; The Eunoia Review; Daughter of the Son; Melancholy Hyperbole; Dirt; Petals in the Pan; Switch the Difference; Welter; Souvenir; Minas Tirith Evening Star: The Journal of the American Tolkien Society; The Phoenix Soul, and Wildflower Muse. “After-Hell” was a Semifinalist in the Pen 2 Paper competition in 2014. Her 25-word short story won Wattpad’s Writers Coming Together to Write contest. Her fan fiction piece “Tears” was given Honorable Mention by CrossedSabers Reviews: Feel the Force Awards. Kim is an Advanced Poetry student.
Sophie Marinez’s poem “Carnival Day in Santo Domingo” appeared in the February 2015 issue of Small Axe, an academic journal specializing in Caribbean literature and culture. Sophie is a Level II student.
Tara McDaniel’s story “The H Train” received a Glimmer Train “Best Start 50” award in June 2009.
Karen McIntyre’s story “The Amazing Adventures of Hannah O’Hare” appeared in the The 2015 Lascaux Prize Anthology. Her story “Shoe Shopping” appeared in A Clean, Well-Lighted Place (volume 3). Karen is a Level III student.
Anne McMillan won the 2018 Fulton Prize from The Adirondack Review for her story “Prisoners.” She also published two stories in 2018: “Why My Sister Is Lovable But Hard to Please” in Flash Fiction and “Recycled Heart” in Eastern Iowa Review. Anne is a Level III student.
Maureen McNulty’s piece “Cold” appeared in the June 2013 issue of Isotropic Fiction. Maureen is a Level III student.
David Medina‘s story “Sofie the Warrior Queen” appears in 34th Parallel in Spring 2018. David is a Level III student.
Sarah Mooney‘s poem “Bathtub” is coming out in 2018 in Spectral Lines: Poems About Scientists, an anthology from Alternating Currents Press. Sarah is a Level II student.
Francesca Moroney received an honorable mention in the 2018 New Millennium contest for her poem “Proclamations,” which began as a Memoir assignment. Her first published story “To the Wings” was a runner-up finalist for Light and Dark‘s first flash-fiction contest and was published online (Summer 2018). It began as a Level I assignment.
Leslie Morris’s poem “Minecraft Pantoum for August 2017” appeared in the What Rough Beast poem-a-day online project by Indolent Books. “Fieldwork IV” appeared in the fall 2013 issue of Hayden’s Ferry Review, and her poem “Fieldwork II” was published in Border Crossing. Her work has also appeared on Borderlands and in The Ear and The Bark. Leslie was an Advanced Poetry student.
Mary Jane Myers’s short story “Galileo’s Finger” appeared in PMS Poemmemoirstory (issue 12). She was accepted to the Sewanee Writers Conference for several weeks during the summer of 2011. Mary Jane is a Level II student.
Carie Novikoff was one of 25 finalists in Glimmer Train’s Very Short Fiction Award (January 2011) in recognition of her story, “New Year.” Carie is a Level II student.
Margaret O’Brien was awarded a place in a writing mentoring scheme by the Kilkenny County Council’s Arts Department in Ireland, working with poet Grace Wells.
Kathy Owen won First Place in the romance category in the Pacific Northwest Writers Association Conference’s national literary contest in July 2010.
Linda Peer’s story “Remedy Radio” appeared in the Winter 2011/2012 issue of the online journal Rose and Thorn. Her story “Bagman, in the Mirror” appeared in the online publication Used Gravitrons in July 2011. Linda is a Level III student.
Lisa Piazza’s story “Mirage” appeared in the Summer 2013 issue of Brain, Child. Her story “Sometimes a Fistful” appeared in the spring 2012 issue of Switchback, the University of San Francisco’s literary journal. Lisa is a former Level II student.
Lindsay Rutherford’s story “Phone Voice” was published by Lunch Ticket (Summer 2018). Lindsay is a student in the Master Class.
Marie Sanchez’s story “The Bus Ride” appeared in Keeping the Edge in April 2014. Marie is a Level IV student.
Rosalia Scalia’s flash fiction piece “Daddy Shoes” was published in Door Is a Jar Literary Review and her story “Static Electricity” was published in MoonSHINE Review, both in 2018. She has also had work in Hawai’i Pacific Review (Fall 2017), Ragazine and The Notre Dame Review. Rosalia is a Level IV student.
Sylvia Schwartz’s story “Boxes” appears in The Airgonaut (August 2017). Her story “Half-Windsor Knot” appeared in the 2016 summer edition of The Vignette Review. Her fiction pieces “Colorful Child” and “Thirteen Candles” and her poem “Final Call” appeared in the April 2015 issue of The Rain, Party, & Disaster Society. Sylvia is a former Level IV student.
Michelle Seaton’s story “The Prospects,” which appeared in One Story, won a 2015 Pushcart Prize. Her work has appeared in The Collagist, Lake Effect Magazine, Harvard Review, Phoebe: Gender and Cultural Critiques and Sycamore Review.
Jane Sherwin’s story “A Kiss Is a New Thing” was published in issue 36 of 34th Parallel. Her story “My Grandmother, Myself” appeared in the fall 2013 issue of Valley Voices. Jane is a former Level IV student.
Nina Sokol was awarded a grant to spend four weeks at the Vermont Studio Center as a poet in residence.
Shelley Stack’s story “Breakage” appeared in the fall 2013 issue of MacGuffin and was nominated for a 2015 Pushcart Prize. Her stories have also appeared in The Dos Passos Review, Euphony Journal and Forge. Her short story “Along for the Ride” appeared on the Short Story America website and in a hard-copy Short Story America anthology in 2011. Shelley is a student in the Master Class.
Darley Stewart’s story “The Story of Dearborn Russell” appeared in The Ocean State Review, Vol. 5, No. 1. She won a scholarship to attend the Ocean State Summer Writing Conference in June 2015. Darley is a Level II student.
Grace Talusan had an essay entitled “A Very Long Engagement” published in The Boston Globe Magazine in April 2011. Grace is a Level III student.
Susan Tatiner’s poems “Weight Watching” and “The Fitting Room Prom Queen” were published by The Voices Project. Her poem “World Backwards” appeared in Front Porch Review. She has new poems forthcoming in Chautauqua Literary Journal and Artemis Journal. Susan is an Advanced Poetry student.
Pragya Trivedi’s poem “Who’ll Cast the First Stone” was accepted by Catamaran, a literary journal featuring South Asian writers. Vijay Seshadri, one of the poets covered in a recent Craft Class, is co-editor. Pragya is a Level III student.
Nikhil Tiwari’s poem “Afternoon Tea,” written as an exercise in the Advanced Poetry Workshop, was published in Poetry Quarterly.
Craig van Rooyen’s poem “Waiting in Vain” won the 2014 Rattle Poetry Prize. His poems have appeared in Southern Poetry Review, PANK, New Ohio Review, Willow Springs, Crab Creek Review and The Fourth River. His poem “The Minstrel Cycle” was selected as a Finalist for the Rattle 2011 Poetry Prize; the poem appeared in the December 2011 issue. Craig is a student in the Advanced Poetry class.
Shubha Venugopal had three short fiction pieces in New Guard Review (January 2017 only). “Search for Your Son” placed in the top 10 in Fish Publishing’s flash fiction prize, and will be published in the 2018 anthology. Her story “Climb On” was one of ten winners of a fiction contest for the Masters Review Volume 5 anthology. Her story “Dancing With Yama” was chosen as a finalist for the AWP’s WC&C Scholarship Award, and her poem “Father, Diving” was shortlisted in Fish Publishing’s 2016 Poetry Competition. Shubha is a former level IV student.
Catherine Wolf had a flurry of publication news in summer 2017: two poems accepted by Rat’s Ass Review and six by Leaves of Ink. Meanwhile she is devoting most of her time to local politics. Her poem “When It Was 1963” appeared in Cacti Fur! in 2016. Two of her poems were accepted by Verse-Virtual and appeared online in early 2017. Her poems “First Time,” “Make Me Sexy” and “Touch” appeared in Love and Ensuing Madness, a special issue of Rat’s Ass Review. Her poem “Dancing with My Eyes” is forthcoming in Front Porch Review. Her poem “Lou Gehrig’s Army” is forthcoming in the Bellevue Literary Review. Catherine is an Advanced Poetry student.
“Bobby’s First Epiphany,” a story by Wilson Wyatt, was published in the 2007 issue of the Delmarva Review. The story began as an exercise for the Level III workshop.
Emily Yong’s poems have appeared in Alaska Quarterly Review, Southampton Review, Cold Mountain Review and Beloit Poetry Journal. Emily won the Rona Jaffe-Bread Loaf scholarship in Poetry. Emily is a former student.
“Nowadays,” a work of short fiction by Hy Abady, appeared in the 2003 edition of Hampton Shorts.
Keisha Barrow’s story “Facets” earned her acceptance into the Vona Voices Writing Workshop at the University of San Francisco.
Leslie Findlen won places at the Sewanee and Bread Loaf writers conferences. Leslie’s poems have appeared in A Gathering of the Tribes and Red Rock Review.
Margaret Lewis’s short story “Torpor” was in the top 5 percent of over 1,000 submissions to Glimmer Train, and was given Honorable Mention.
Andrea Vivian Malloy’s poems, written while she was a tutorial student, have appeared in Avocet, Blueline and Poet Lore.
Marlene Molinoff’s story “The Late Train” is forthcoming in Crack the Spine, which nominated it for a Pushcart Prize.
Michelle Preston had a short piece entitled “Above Town” published in the March 5, 2007 issue of The New Yorker.
Dana Lise Shavin’s memoir The Body Tourist, published in October 2014, was named one of “7 Super Reads for Holiday Travel” by WorkingMother.com. A chapter from her memoir Tell Me About Yourself was chosen by Lime Hawk Literary Collective to appear in an anthology. Her essay “A Simple Path” appeared in Oxford American. Her essay “A Lesson in Astronomy” was published in Puerto del Sol in the summer of 2006. A chapter called “The Death of Charles Black” from her memoir Good Bones: A Memoir of Sex, Death and Real Estate received Honorable Mention in Glimmer Train’s Family Matters contest.
Manuel Simoes’s prose piece “The Atoll” appeared in Rufous City Review.
Shirley Sullivan has published four recent stories including “Glory Days” (Tampa Review issue 54) and “Three Quarters Gone” (The Fiddlehead, winter 2016).
Christine Baines was named a Finalist in Arizona’s 24th Annual Statewide Poetry Contest in 2008.
Renee Bibby was nominated for a 2017 Pushcart Prize by The Worcester Review for her story “Than All the Treasures,” one of two of her pieces that appeared in issue 37. Her story “What’s Done Can’t Be Undone” is online at Five on the Fifth (January 2019). Her story “The Best of the Boy Stuff” appeared in the summer 2016 issue of Third Point Press. Her flash fiction “Rabbit or the Wheel” appeared in the August 2016 issue of Wildness, an imprint of Platypus Press, and was nominated by Wildness for a Best Small Fiction award. Renee is the director of The Writers Studio Tucson.
Tucson Advanced Workshop student Paula Brown has two upcoming publications. Her flash fiction story “Photograph, Solomon Islands, 1944” was accepted by War, Literature, and the Arts, and her story “The Corsica Roping Technique” will appear in South Dakota Magazine.
Brad Contento’s flash fiction story “Naked” was published in A cappella Zoo in the fall of 2015. Brad is a former Intermediate Workshop student.
Janelle Drumwright’s story “Reckless” was published by Necessary Fiction in 2017. Her story “Smilestone” received an Honorable Mention in Glimmer Train‘s Short Story Award for New Writers for January/February 2016. She was selected as one of three winners in the First Annual Carve Magazine Blog Contest for her blog post, “You, Dear Writer, Are Not the Narrator.” Her prose poem “Biopsy the Day of the Boston Bombings” appeared in the Summer/Fall 2015 issue of the Naugatuck River Review. Her flash fiction piece “200 Stitches” appeared in Mulberry Fork Review. She was chosen as a reader for The Masters Review in 2017. Janelle is the assistant director and teacher of the Advanced Workshop at the Writers Studio Tucson.
Katie Gleason’s poem “How to Survive a Miscarriage” appeared in the winter 2016 issue of Rust & Moth. Her poem “Year of Glass” appeared in the October 2015 issue of Gnarled Oak, and “The Mouth” appeared in the November 2015 issue of Foliate Oak Literary Magazine. Katie is an Advanced Workshop student.
Janet Hagelgans’s poems have appeared in Thrush and Atticus Review. Janet is a former student.
Kip Hanson’s story “Beneath the Trojans” is forthcoming in Bartleby Snopes.
Philip Ivory has had a flurry of stories, flash fiction, essays and even a novelette published in recent years in Two Cities Review, Oklahoma Pagan Quarterly, Ghost Parachute, Rosette Maleficarum, The Airgonaut, The Bookends Review, Edify Fiction, Devolution Z, Menacing Hedge, Bewildering Stories and Dali’s Lovechild. “Most of Us Are from Someplace Else” appeared in Literally Stories and was one of three winners of the 2015 Writers Studio Tucson Write-to-Read Competition. Phil is an Advanced Workshop student and Intermediate teacher.
Eleanor Kedney is the author of the chapbook The Offering (Liquid Light Press, 2016). Her poems have appeared in a number of U.S. and international periodicals, including Connecticut River Review, Miramar Poetry Journal, Mudfish, The New York Quarterly and Sliver of Stone. Two of her river poems appear online with audio at Under a Warm Green Linden. She has contributed to the anthologies The Cumberland River Review, The First Five Years (Trevecca Nazarene University, 2018) and The Writers Studio at 30 (Epiphany Editions, 2017), among others. Her poem “A New World” was a finalist in the 2017 Raynes Poetry Competition and is included in the collection Borders and Boundaries. Eleanor is the founder of the Tucson branch and served as the director for ten years. She taught all The Writers Studio level classes, including the first Tucson Master Class.
Isaac Kirkman, an Intermediate Workshop student, has contributed to several collaborative works, published in Apeiron Review and Counterexample Poetics. Isaac’s work has also appeared in Shotgun Honey, Menacing Hedge, the Zelmer Pulp’s sci-fi anthology Hey, That Robot Ate My Bab; Out of the Gutter; The Dead Mule School of Southern Literature; Abstract Quill; Red River Review; Eunoia Review; Underground Voices; Melusine, or Woman in the 21st Century; FRiGG; Big River Poetry Review; Burningword; The Weekenders; Squalorly; Referential Magazine; The 22 Magazine; Lines + Stars; Whiskey Paper; Poydras Review; Yes, Poetry; Prime Number Magazine; Quail Bell Magazine; Sim Review; Boston Literary Magazine; Subliminal Interiors, and Marco Polo.
Frances Lynch was one of 20 women selected to be in the 2018-19 Tucson Public Voices Fellowship. She has published op-ed pieces in USA Today and other publications. Frances is a Master Class student and the Tucson branch substitute teacher.
Anne McMillan’s story “Recycled Heart” appeared in 2018 in Eastern Iowa Review.
Lela Scott MacNeil’s story “Playboy” appeared in the winter 2014 issue of Gertrude. Lela is an Advanced Workshop student.
Jennifer Makowsky’s flash fiction piece “Backyard Weather” appeared in The Portland Review online in 2014. Jennifer is a student in the Advanced Workshop.
Jack Parker’s story “Half Full” will appear in Keeping the Edge, an anthology of urban writing. Jack is a former Advanced Workshop student.
Ron Pullins was was one of three winners of the George Dila Memorial Prize for Flash Fiction. His piece, “Horse Heads,” appeared in Third Wednesday: A Literary and Arts Journal October 2018. Ron is a student in the Workshop.
Rhema Sayers’s work has appeared in Saturday Night Reader, The Literary Hatchet and The Desert Leaf. Rhema is an Intermediate Workshop student.
Ellen Sullins won the New Millennium Writings Poetry Prize in summer 2007. Her poetry manuscript Elsewhere won the 2007 Plan B Press chapbook contest. The book was released in summer 2007 and contains four poems written as Workshop exercises. Her poems have also appeared in The South Carolina Review, Concho River Review and Wheelbarrow.
In February 2008, Whole Terrain published “Farmhouse Zen,” a creative nonfiction piece written by Mae Lee Sun, a former student.
Teresa Shen Swingler had a piece in the Spring 2007 issue of The Del Sol Review. Teresa’s story “Taste” was a finalist in the Diagram Innovative Fiction Contest, and was published in their all-fiction issue (7.3). Her story “Buying Eggs, Lending Soup” appeared in issue 10 of Kartika Review. Teresa is a student in the Advanced Workshop.
Don Valdez’s story “More or Less” was featured in the Tucson Weekly Fiction’s 84 contest in August 2009. Don is an Advanced Workshop student.
Lilian Vercauteren’s flash fiction piece “School Bags” was published in Fiction Southeast. Her story “Paper Boats” appeared in the September 1, 2014 issue of Lowestoft Chronicle. Lillian is an Advanced Workshop student.
Phyllis Aboaf’s poem “The Neighbor’s Tale” won a prize of $100 and was accepted for publication in the Rattle Poetry Contest as an Honorable Mention. Phyllis is a student in the Advanced Workshop.
Tom Adams’s flash fiction stories “Garage,” “Flash Fiction” and “Smoke” appeared in Change Seven. Tom is an Intermediate Workshop student.
Lorraine Babb’s story “Chuck Lange Kicks Ass” was accepted for publication in West Marin Review (2019). “Religion of the Rich” placed 14th out of over 350 entries in the May 2015 contest at Sixfold and appeared in the Summer 2015 issue. Her stories have also appeared in MacGuffin, Rosebud Magazine, The Griffin Literary Magazine, The Dos Passos Review and Kalliope. Lorraine teaches the Intermediate Workshop.
Cecile Barlier had stories accepted for publication in 2018 in Red Savina Review, The Meadow and Whistling Shade. Her story “The Point of No Return” was published in The Summerset Review (September 2017). She had several stories published in 2016: “Letter to Jaegermeister” in Gold Man Review, “Immersion” in Sou’wester, and “Pisces” in Emerson Review. Her story “Thank You for Your Service” is forthcoming in Clare Magazine. She also has work published or forthcoming in Crack the Spine, Penmen Review, The Saint Ann’s Review, Serving House Journal, Amarillo Bay, Knee-Jerk Magazine and The Tower Journal. She has received two Pushcart nominations, in 2015 and 2016. Cecile is an Advanced Workshop student.
Laura Boss’s flash fiction piece “Occupied San Francisco” appeared in Keeping the Edge, an anthology of urban writing. Laura is a student in the Intermediate Workshop.
Robley Browne’s story “Slightly Irregular” appeared in Midway Journal (volume 10, issue 4). “Overboard” is forthcoming in Knee-Jerk Magazine. His story “Tractor Boy,” which appeared in the April/May 2014 issue of Down in the Dirt Magazine, was selected to be included in the publisher’s annual collection of work entitled Need to Know Basis. Robley is an Advanced Workshop student.
Erika Bryant’s poem “Global Warming,” which appeared in MothersAlwaysWrite, was nominated for a 2017 Pushcart Prize.
Stevan Cavalier published twice in a row in Red Savina Review in Fall 2018, a creative nonfiction piece called “Katy’s World” and a story called “Bacon.” Stevan is in the Intermediate Workshop.
Julie Chagi’s novella My Beautiful Monkey was First Runner Up in the 2013 William Faulkner/William Wisdom Writing Competition. Julie is a former Intermediate Workshop student.
Grace Chow‘s story “Forgetting” appears in Z Publishing’s California Emerging Writers anthology series. Grace is a student in the Advanced workshop.
Eanlai Cronin’s poem “What the Two of Us Know” was long-listed in the U.K. National Poetry Competition in 2017. Eanlai, a Master Class student, placed in the top one percent. The poem began as a Workshop exercise.
Claire Dodd published an essay called “All You Need: The Summer of Love and the Manson Murders” in The Rumpus (2018). Claire is a student in the Advanced Workshop.
Manikya Duggirala‘s story “Red Dress” was published in Penman Review (2017). Manikya is a Master Class student.
Gail Ford’s essay “Gravity and the Theory of Everything” was one of six winners of the University of California Berkeley’s 2013 Lili Fabilli and Eric Hoffer Essay Prize. Gail is a teacher.
Amelia Granger’s story “Atlantic” was published in The Molotov Cocktail (2017). Amelia is a student in the Intermediate Workshop, where the story began as an exercise.
Elizabeth Hollis Hansen’s story “Learning to Hold the Light” appeared in Mamalode. Elizabeth is an Intermediate Workshop student.
Charles Herbaut, a student in the Advanced Workshop, has a piece in Flash Fiction Magazine. It began as an exercise when he was in the introductory Workshop.
Kathie Jacobson had two publications in 2018: “DIY Year” in The Big Muddy and “Old Women” and in Eastern Iowa Review. Her stories have also appeared in Crack the Spine, Driftwood Press, Pithead Chapel, Necessary Fiction, Twisted Vine, Sassafras and Hermeneutic Chaos Literary Journal, and she has been featured as a Longform Fiction Pick-of-the-Week. Kathie is an Master Workshop student and Advanced Workshop teacher.
Timur Karaca’s stories have appeared in Smokelong Quarterly Review, Redivider, Indiana Review, The Potomac Review, The Greensboro Review and Switchback. His story “Go, Don’t Go” won the 2015 Willow Review Award for fiction. His story “Echo Lake” was Narrative’s story of the week. Timur is a student in the Advanced Workshop.
Carli Lowe’s story “What We Had in Common” placed sixth out of over 360 manuscripts in Sixfold (2015). Carli is an Intermediate Workshop student.
Manikya’s story “Red Dress” will appear in Penman Review in 2017. Manikya is a Master Class student.
Sue Mell’s story “Serendipity” was published in Narrative. Sue is a former Level III student.
Molly Patterson’s story “Don’t Let Them Catch You,” originally published in the Iowa Review, is featured in the 2014 Pushcart Prize anthology. Her stories have also appeared in The Atlantic and The Arkansas Review. Her story “Moving Fronts,” which appeared in Salamader, was listed as one of the 100 Notable Stories in the 2011 issue of Best American Short Stories. Molly is a former student.
Mark Peterson’s story “Dancers” appeared in the winter 2015 issue of The Milo Review. Mark is the director of the San Francisco branch.
Tamara Schuyler’s story “Good Boys” received an Honorable Mention in Glimmer Train’s Spring 2016 Very Short Fiction contest. It was also named “Editor’s Choice” and will be published in SmokeLong Quarterly (online August 2017 and print September 2017). Here is an interview with her in which she talks about The Writers Studio’s influence on her work. Her stories have appeared in Crack the Spine, Mulberry Fork Review and The Milo Review. Her story “Ugly,” which appeared in the spring 2013 issue of CutBank 78, was nominated for and appears under Special Mention in Pushcart Prize anthology XXXIX. Tamara is an Advanced Workshop student.
Tristan Silverman’s poem “Thanksgiving in Connecticut” was published in Up the Staircase. Tristan is a Workshop student.
Douglas Sovern’s stories have appeared in Red Ochre Lit, Jet Fuel Review, Alimentum, Narrative, EDGE Literary Journal, Hobo Pancakes, The Madison Review, The Penmen Review and Crack the Spine. His story “We’ll Hide When the Nazis Come” appeared in Mulberry Fork Review and was nominated for a Pushcart Prize. He has received two additional Pushcart nominations, for his story “The Blogger Wolf,” which appeared in Gemini Magazine and Green Hills Literary Lantern, and his story “Almost Every One of Us,” which appeared in the summer 2014 issue of Sand Hill Review and was also nominated for the Best of the West anthology. His story “Indira” was selected as Narrative Magazine’s story of the week, and one of its top five stories of the week for 2013-2014. Douglas is an Advanced Workshop student.
Taymiya R. Zaman’s story “Thirst,” which won Third Prize in Narrative Magazine’s spring 2012 short story contest, appeared in the 2014 Pushcart Prize anthology. Taymiya is a workshop student.
Paulien Bakker’s story “An English Teacher’s Escape from ISIS” appeared in Narratively. Her series of stories about life in Iraq was included in Narratively’s top ten list for The Best of 2015. Paulien is a former Workshop student.
Christina Frei’s poem “Baobab” was published in 2016 in the Irish journal Into the Void. Her poem “Tree of Forgive” was named a Finalist in the New Millennium Writings contest #41, and will be (re)published in their next anthology. She has published many other poems in journals including Potomac Review, Gravel Literary Journal, REAL, The Hollins Critic, Third Wednesday, Kansas City Voices, Sterling, The Inflectionist Review, Bareback Lit and Red River Review. Her poem “Disquietude” appeared in the spring 2013 issue of Apple Valley Review and was nominated by that journal for a Best of the Net 2013 award as well as a 2015 Pushcart Prize. Christina teaches the Workshop.
Charles Herbaut, a student in the Advanced Workshop, had a piece published in Flash Fiction Magazine in October 2016. It began as a Workshop piece.
Nancy Matsunaga’s story “Etchings” appeared in a 2014 issue of CALYX. Nancy directs the Amsterdam branch.
Janelle Ward’s story “Through the Lens” appeared in The Rumpus and her story “Sex and Violence” appeared in Typehouse Literary Magazine. Her story “Anniversary Dinner” appeared in Metro Fiction on August 31, 2014. Her story “Admittance” appeared in a May 2013 issue of Litro online. Her story “Scrub” appeared in the Portland based lit zine The Molotov Cocktail.
Deidre Byrne‘s story “Traffic Stop” was published in The Avalon Review (fall 2017). It began as an exercise in the Intermediate Workshop.
Mary Clemens‘ story “Outer Space” was published in The MacGuffin (2017). Her work has also appeared or is forthcoming in Hobart, The Tishman Review and Boston Accent Lit, among other publications. Mary is in the Advanced Workshop.
Therese Eiben’s story “Pass the Baby” was nominated for a 2019 Pushcart Prize by december magazine. She has been a finalist in two Glimmer Train contests, the July 2012 Very Short Story Contest and the March/April 2018 Fiction Contest. Therese is co-director of the branch and a Level IV Online teacher.
Anamyn Turowki’s short story “The Swans” appeared in the Spring 2012 issue of New Ohio Review and was nominated for a 2013 Pushcart Prize. Anamyn is co-director of the branch.
A Kids Write alum has been accepted to Columbia University MFA program in poetry. She will be working with Dorothy Lasky.
Our 12-year-old tutorial student won the Gold Key in the 2018 Scholastic Flash Fiction category for 12- to 14-year-olds in her region for her story “The Cubicle of Doom.” Now she goes on to the national finals.
Two young writers in The Writers Studio’s Kids Write program were recently honored. One won two Silver Awards for poetry she wrote during a KW seminar with juniors and seniors at the Churchill School in the spring of 2012. Another received a Gold Key, a Silver Key and an Honorable Mention for work she produced during a tutorial with a KW faculty member. This student’s poem “Breathe” will compete at the national level. Kai Pena-Chavez has been awarded a silver key from the regional Scholastic Art & Writing Awards for her poem “Death.”
The Writers Studio KidsWrite program was awarded a $10,000 grant from The Casement Fund to teach writing to high school students in Brooklyn. Student Shyanne Bennett received Scholastic Art and Writing Awards for two of her poems and a fiction piece. Two of these pieces got Gold Key recognition, meaning that they were in the top 10% of all New York City submissions.
The Writers Studio KidsWrite Program was awarded $1,000 from the 2012 Brooklyn Arts Council Community Arts fund, which is supported by the New York City Department of Cultural Affairs.